Stella and Rose's Books Logo

Stella & Rose's Books

Specialists in Rare & Collectable Books

  Basket is empty
  Login Register

THE FOLIO GOLDEN TREASURY

by James Michie; et al

Illustrated by Simon Brett; et al.

Published by Folio Society. 1st thus. 1997

Very good condition. The Best Songs and Lyrical Poems in English Language chosen and introduced by James Michie. Illustrated with Wood Engravings by various artists selected by Simon Brett. Leather spine with gilt titles. Yellow cloth boards with repeating pattern. B/w wood engravings. 733 pages including index. Top edge yellow.

Tiny fox-spots to text block, not affecting contents. Last few pages have been miscut by binder so top corner of page is folded in a crease. Else a lovely copy contained in publisher's slipcase which is scuffed and marked.

Stock no. 1830569

Buy now for £14.00 Enquire about this book Add to Wish List

Contents

  • Preface
  • Editor's Note
  • The Wood Engravings
  • THOMAS WYATT (c. 1503-42)
  • Engraving by Derrick Harris
  • 1 Throughout the world, if it were sought
  • 2 My lute awake! perform the last
  • 3 Madam, withouten many words
  • 4 They flee from me, that sometime did me seek
  • 5 Forget not yet the tried intent
  • ANONYMOUS (?)
  • Engraving by Norman Janes
  • 6 Western wind, when will thou blow
  • NICHOLAS UDALL (1505-56)
  • 7 Whoso to marry a minion wife
  • HENRY HOWARD, EARL OF SURREY (1517-47)
  • Engraving by Richard Shirley Smith
  • 8 My friend, the things that do attain
  • 9 Laid in my quiet bed, in study as I were
  • GEORGE GASCOIGNE (1525-77)
  • Engraving by Douglas Percy Bliss
  • 10 And if I did, what then?
  • 11 Sing lullaby, as women do
  • JASPER HEYWOOD (1535-98)
  • 12 If thou in surety safe wilt sit
  • EDARD DYER (1543-1607)
  • 13 The lowest tree tops, the an her gall
  • EDWARD DE VERE, EARL OF OXFORD (1550-1604)
  • Engraving by Norman Janes
  • 14 Were I a King I could command content
  • 15 If women could be fair, and yet not fond
  • SIR WALTER RALEGH (1552-1618)
  • Engravings by Simon Brett
  • 16 To His Son
  • 17 As you came from the holy land
  • 18 The Lie
  • 19 Even such is time, which takes in trust
  • EDMUND SPENSER (1552-99)
  • Engravings by John Biggs, with the exception of two swans by Joan Hassall
  • 20 Prothalamion
  • 21 Epithalamion
  • ANONYMOUS (?)
  • Engraving by Simon Brett
  • 22 The passionate Mans Pilgrimage
  • 23 He that marris a merry lass
  • FULKE GREVILLE (1554-1628)
  • Engraving by Frank Martin
  • 24 Silence augmenteth grief, writing increaseth rage
  • 25 Oh, wearisome condition of humanity
  • PHI8LIP SYDNEY (1554-86)
  • Portrait by Peter Reddick
  • 26 Only joy, now here you are
  • 27 Loving in truth and fain in verse my love to show
  • 28 With how sad steps, O Moon, thou climb'st the skies!
  • Engraving by Peter Reddick
  • 29 Get hence foul Grief, the canker of the mind
  • Engraving by Harry Brockway
  • 30 My true love hath my heart, and I have his
  • Engravings by Harry Brockway
  • JOHN LYLY (1554-1606)
  • Engravings by Marjorie Taylor
  • Cupid and my Campaspe played
  • ROBERT GREENE (1558-92)
  • Weep not, my wanton, smile upon my knee
  • GEORGE PEELE (1558-96)
  • Engraving by Hilary Paynter
  • 33 His golden locks time hath to silver turned
  • 34 Hot sun, cool fire, tempered with sweet air
  • FRANCIS BASON (1561-1626)
  • 35 The world's a bubble, and the life of man
  • JOHN HARINGTON (1561-1612)
  • Whence comes my love? O heart, disclose!
  • SAMUEL DANIEL (1562-1619)
  • Engraving by Joan Hassall
  • Care-charmer Sleep, son of the sable Night
  • MICHAEL DRAYTON (1563-1631)
  • Engraving by Geoffrey Wales
  • 38 You brave heroic minds
  • 39 Good folk, for gold or hire
  • 40 Since there's no help, come let us kiss and part
  • CHRISTOPHER MARLOWE (1564-93)
  • Engraving by Marjorie Taylor
  • 41 Come live with me and be my love
  • WILLIAM SHAKESPEARE (1564-1616)
  • Portrait by Reynolds Stone
  • 42 Shall I Compare thee to a summer's day?
  • 43 If thou survive my well-contented day
  • Engraving by Jane Lydbury
  • 44 Being your slave, what should I do but tend
  • Engraving by Simon Brett
  • 45 When I have seen by Time's fell hand defaced
  • 46 That time of year thou mayst in me behold
  • 47 They that have power to hurt and will do none
  • Engraving by Harry Brockway
  • 48 To me, fair friend, you never can be old
  • Engraving by Peter Forster
  • 49 Let me not to the marriage of true minds
  • 50 Crabbed Age and Youth
  • 51 Blow, blow, thou winter wind
  • 52 Full fathom five they father lies
  • Engraving by John Buckland-Wright
  • 53 When icicles hang by the wall
  • 54 O mistress mine, where are you roaming?
  • 55 Fear no more the heat o the sun
  • THOMAS BASTARD (1566-1618)
  • 56 De Puero Balbutiente
  • ROBERT DEVEREUX, EARL OF ESSEX (1566-1601)
  • 57 Happy were he could finish forth his fate
  • 58 Absence, hear thou my protestation
  • ANONYMOUS (?)
  • Engraving by Joan Hassall
  • 59 There is a lady sweet and kind
  • 60 The silver swan, who living had no note
  • 61 Hey nonno no!
  • THOMAS CAMPION (1567-1620)
  • Engraving by John Lawrence
  • 62 Just beguiler
  • 63 Now winter nights enlarge
  • 64 Rose-cheeked Laura, come
  • 65 Kind are her answers
  • 66 When thou must home to shades of underground
  • THOMAS NASHE (1567-1601)
  • 67 Adieu, farewell earth's bliss
  • ROBERT AYTON (1570-1638)
  • 68 I loved thee once, I'll love no more
  • THOMAS DEKKER (1570-1638)
  • 69 Art thou poor, yet hast thou golden slumbers?
  • SAMUEL ROWLANDS (1570-1630)
  • 70 Melancholy Conceit
  • BEN JONSON (1572-1637)
  • Portrait by Hilary Paynter, all other engravings by George Tute
  • 71 Follow a shadow it still flies you
  • 72 Her Triumph
  • 73 On my first Son
  • 74 Slow, slow, fresh fount, keep time with my salt tears
  • 75 Hymn to Diana
  • 76 Still to be neat, still to be dressed
  • 77 Here she was wont to go, and here, and here!
  • 78 My Picture Left in Scotland
  • JOHN DONNE (1572-1631)
  • Portrait by David Gentleman; all other engravings by Jane Lydbury
  • 79 The Expiration
  • 80 Go and catch a falling star
  • 81 The sun rising
  • 82 Break of day
  • 83 The canonisation
  • 84 The Good-Morrow
  • 85 Love's Deity
  • 86 At the round earths' imagined corners, blow
  • 87 Death, be no proud, though some have called thee
  • JOHN FLETCHER (1579-1625)
  • Engraving by Simon Brett
  • 88 Opheus I am, come from the deeps below
  • JOHN DIGBY, EARL OF BRISTOL (1580-1653)
  • 89 Grieve not, dear love, although we often part
  • JOHN WEBSTER (1580-1634)
  • Engraving by Joan Hassall
  • 90 Call for the robin redbreast and the wren
  • EDWARD HERBERT (1583-1648)
  • 91 Inconstancy's the greatest of sins
  • FRANCIS BEAUMONT (1584-1616)
  • 92 Hold back thy hours, old Night, till we have done
  • WILIAM DRUMMOND OF HAWTHORNDEN (1585-1649)
  • 93 Like the Idalian queen
  • 94 My thoughts hold mortal strife
  • 95 Saint John Baptist
  • WILLIAM BROWNE (1591-1643)
  • Engraving by Gwen Raverat
  • 96 Underneath this sable hearse
  • 97 Song of the Sirens
  • ROBERT HERRICK (1591-1674)
  • Portrait by Simon Brett, all other engravings by Jane Lydbury
  • 98 Counsel to Girls
  • 99 His Prayer to Ben Jonson
  • 100 Whenas in silks my Julia goes
  • 101 To daisies, not to shut so soon
  • 102 Corinna's going a-Maying
  • 103 A sweet disorder in the dress
  • 104 Fair daffodils we weep to see
  • 105 Lovers how they come and part
  • WILLIAM CAVENDISH DUKE OF NEWCASTLE (1592-1676)
  • 106 We'll placed in Love's triumphant chariot high
  • HENRY KING (1592-1669)
  • Engraving by Frank Martin
  • 107 The Exequy
  • 108 Sic Vita
  • FRANCIS QUARLES (1592-1644)
  • 109 On change of weathers
  • GEORGE HERBERT (1593-1633)
  • Portrait by Simon Brett, all other engravings by Kathleen Lindsley
  • 110 The Flower
  • 111 The Pulley
  • 112 Bitter-sweet
  • 113 Sin
  • 114 The Collar
  • 115 Prayer
  • 116 Redemption
  • 117 Affliction
  • THOMAS CAREW (1595-1639)
  • Engraving by Yvonne Skargon
  • 118 Ask me no more where Jove bestows
  • 119 A Lady's Prayer to Cupid
  • JAMES SHIRLEY (1596-1666)
  • 120 The glories of our blood and state
  • WILLIAM DAVENANT (1606-68)
  • 121 The lark now leaves his watery nest
  • EDMUND WALLER (1606-87)
  • Engravings by Yvonne Skargon
  • 122 Go lovely rose
  • 123 On a Girdle
  • JOHN MILTON (1608-74)
  • Portrait by Hilary Paynter, frontispiece by Alison McKenzie, all other engravings by Harry Brockway
  • 124 Hymn on the Morning of Christ's nativity
  • 125 On Time
  • 126 O'er the smooth enamelled green
  • 127 Lycidas
  • 128 Il Penseroso
  • 129 On his Blindness
  • 130 Lawrence, of virtuous father virtuous son
  • JOHN SUCKLING (1609-41)
  • 131 Why so pale and wan, fond lover?
  • 132 O for some honest lover's ghost
  • 133 Out upon it, I have loved
  • RICHARD CRAWHAW (1612-49)
  • 134 Wishes: To his (supposed) Mistress
  • ABRAHAM COWLEY (1618-67)
  • 135 Against Hope
  • 136 The thirsty earth soaks up the rain
  • RICHARD LOVELACE (1618-58)
  • 137 To Lucasta
  • 138 To Althea from Prison
  • 139 To Lucasta, Going beyond the seas
  • ALEXANDER BROME (1620-66)
  • 140 I have been in love and in debit and in drink
  • ANDREW MARVELL (1621-78)
  • Portrait by Peter Reddick, all other engravings by Harry Brockway
  • 141 Horatian Ode upon Cromwell's Return from Ireland
  • 142 The Mower to the Glow-Worms
  • 143 To make a final conquest of all me
  • 144 To his Coy Mistress
  • 145 The Definition of Love
  • 146 Thought in a Garden
  • 147 The Picture of Little TC in a Prospect of Flowers
  • ANONYMOUS (?)
  • Engravings by Douglas Percy Bliss
  • 148 Sir Patrick Spens
  • HENRY VAUGHAN (1622-95)
  • 149 Man
  • 150 Peace Engraving by Brierley Lofthouse
  • 151 The Retreat
  • 152 Quickness Engravings by Reynolds Stone
  • MARGARET CAVENDISH, DUCHESS OF NEWCASTLE (1623-73)
  • 153 Of the Theme of Love
  • JOHN HALL (1627-56)
  • 154 The Call
  • JOHN BUNYAN (1628-88)
  • Engraving by Roy Morgan
  • 155 Song of the Shepherd Boy
  • 156 The Pilgrim Song
  • CHARLES COTTON (1630-87)
  • Engraving by Gwenda Morgan
  • 157 Evening
  • JOHN DRYDEN (1631-1700)
  • Portrait by Hilary Paynter, Alexander by Diana Bloomfield, musical engravings by Norman Janes
  • 158 The New London
  • 159 Song for t Cecilia's Day 1687
  • 160 Alexander's Feast, or the Power of Music
  • 161 Momus' song to Mars
  • 162 Fair Iris I love and hourly I die
  • THOMAS SHIPMAN (1632-80)
  • 163 The Resolute Courtier
  • THOMAS TRAHERNE (1637-74)
  • Engravings by Angela Lemaire
  • 164 News
  • 165 Shadows in the water
  • PHILIP AYRES (1638-1712)
  • 166 Ever Present
  • CHARLES SEDLEY (1639-1701)
  • 167 Not, Celia that I juster am
  • JOHN WILMOT, EARL OF ROCHESTER (1647-80)
  • Engravings by Richard Shirley Smith
  • 168 Absent from thee I languish still
  • 169 A song of a young lady to her ancient lover
  • 170 Love a woman? You're an ass!
  • 171 Upon his leaving his mistress
  • 172 Love and Life
  • ANOYMOUS (?)
  • 173 A thought on human life
  • 174 The Twa corbies
  • MARY CHUDLEIGH (1656-1710)
  • 175 To the ladies
  • SAMUEL WESLEY (1662-1735)
  • 176 Anacreontic, on parting with a little child
  • WILLIAM WALSH (1663-1708)
  • 177 Phyllis's resolution
  • MATTHEW PRIOR (1664-1721)
  • 178 Les Estreines
  • 179 The Lady who offers her looking glass to Venus
  • 180 A letter to the honourable Lady, Miss Margaret Cavendish-Holles-Harley
  • 181 The merchant to secure his treasure
  • JONATHAN RICHARDSON (1665-1745)
  • 182 On my late dear wife
  • JONATHAN SWIFT (1667-1745)
  • 183 To stella
  • GEORGE GRANVILLE (1667-1735)
  • 184 Chloe's the wonder of her sex
  • WILLIAM CONGREVE (1670-1729)
  • 185 See, see she wakes, Sabina wakes!
  • 186 Pious Selinda goes to prayers
  • 187 False though she be to me and love
  • JOSEPH ADDISON (1672-1719)
  • Portrait (with Steele) by Richard Shirley Smith
  • 188 The spacious Firmament on High
  • ISAAC WATTS (1674-1748)
  • Engraving by Diana Bloomfield
  • 189 Man frail, and God Eternal
  • HENRY CAREY (1681-1743)
  • Engraving by John Lawrence
  • 190 The ballad of Sally in our Alley
  • ESTHER JOHNSON (1681-1728)
  • 191 If it be true, celestial powers
  • JOHN GAY (1685-1732)
  • Engraving by Hilary Paynter
  • 192 Before the barn door crowing
  • AARON HILL (1685-1750)
  • 193 Modesty
  • ALEXANDER POPE (1688-1744)
  • Portrait by Hilary Paynter
  • 194 Elegy to the memory of an unfortunate Lady
  • 195 Happy the man who wish and care
  • 196 A hymn written in Windsor forest
  • 197 On a certain Lady at court
  • 198 I dreamed that, buried in my fellow clay
  • 199 On a female rope-dancer
  • SOAME JENYNS (1704-87)
  • 200 The temple of Venus
  • JOHN BANCKS (1709-51)
  • Engraving by Frank Martin
  • 201 A description of London
  • SAMUEL JOHNSON (1709-84)
  • Engraving by Derrick Harris
  • 202 To Sir John Lade, on his coming of age
  • 203 On the death of Dr Robert LEvet
  • WILLIAM SHENSTONE (1714-63)
  • 204 Written an Inn at Henley, engraving by Joan Hassall
  • 205 Lines written on a window at the Leasowes at a time of very deep snow, engraving by Richard Shirley Smith
  • THOMAS GRAY (1716-71)
  • Engravings by Agnes Miller Parker
  • 206 Ode on the death of a favourite cat drowned in a tub of goldfishes
  • 207 Elegy written in a country churchyard
  • HORACE WALPOLE (1717-97)
  • 208 Epitaph on two piping bullfinches of Lady Ossory's, buried under a rose bush in her garden
  • WILLIAM COLLINS (1721-59)
  • 209 Ode to evening
  • 210 Ode written in the beginning of the year 1746
  • CHRISTOPHER SMART (1722-71)
  • 211 On a bed of Guernsey lilies, engravings by Diana Bloomfield
  • 212 For Saturday
  • 213 The nativity of our Lord and Saviour
  • Engraving by Gwen Raverat
  • OLIVER GOLDSMITH (1730-74)
  • Engraving by John Lawrence
  • 213 O Memory thou fond deceiver
  • 214 An elegy on the death of a mad dog
  • WILLIAM COWPER (1731-1800)
  • Portrait by Diana Bloomfield
  • 216 The poplar field
  • 217 Light shining out of darkness, engraving by Michael Renton
  • 218 To Mary
  • 219 Verses, supposed to be written by Alexander Selkirk, during his solitary abode in the island of Juan Fernandez, engraving by Eric Ravilious
  • 220 On the loss of the Royal George, 1782, engravings by Frank Martin
  • JOHN MACLAURIN (1734-96)
  • Engravings by Frank Martin
  • 221 Elegy
  • JOHN COLLINS (1742-1808)
  • Engraving by Claire Dalby
  • 222 Tomorrow
  • CHARLES DIBDIN (1745-1814)
  • 223 Did but the law appoint us one
  • CHARLES MORRIS (1745-1838)
  • Engravings by Richard Shirley Smith
  • 224 Country and town
  • WILLIAM JONES (1746-94)
  • 225 A Moral tetrastich
  • ANNE LINDSAY (1750-1825)
  • Engraving by Joan Hassall
  • 226 Auld Robin Gray
  • RICHARD BRINSLEY SHERIDAN (1751-1816)
  • Engraving by Frank Martin
  • 227 Here's to the maiden of bashful fifteen
  • 228 I ne'er could any lustre see
  • WILLIAM BLAKE (1757-1827)
  • Engravings by William Blake
  • 229 To the muses
  • 230 The clod and the pebble
  • 231 The divine image
  • 232 Never seek to tell thy love
  • 233 London
  • 234 The tiger
  • 235 Jerusalem
  • 236 Auguries of Innocence
  • ROBERT BURNS (1759-96)
  • Engravings by Joan Hassall
  • 237 The Banks o doom
  • 238 For A'that
  • 239 A red, red rose
  • 240 The silver tassie
  • 241 John Anderson, My Jo
  • 242 To a mouse
  • 243 Holy Willie's prayer
  • 244 Auld Lang Syne
  • JOHN WILLIAMS (1761-1818)
  • Engraving by John Farleigh
  • 245 Matrimony
  • WILLIAM WORDSWORTH (1770-1850)
  • Engravings by Peter Reddick
  • 246 She was a phantom of delight
  • 247 The daffodils
  • 248 The affliction of Margaret
  • 249 Ode on intimations of immortality from recollections of early childhood
  • 250 Upon Westminster bridge, 3 September 1802
  • 251 The world is too much with us, late and soon
  • 252 It is a beauteous evening, calm and free
  • 253 Mutability
  • 254 With ships the sea was sprinkled far and nigh
  • 255 Elegiac Stanzas
  • SIR WALTER SCOTT (1771-1832)
  • Portrait by Diana Bloomfield, engraving by Joan Hassall
  • 256 Proud Maisie is in the wood
  • 257 Look not thou on beauty's charming
  • 258 Sound, sound the clarion, fill the fife!
  • SAMUEL TAYLOR COLERIDGE (1772-1834)
  • Portrait by David Gentleman, all other engravings by Miriam Macgregor, except the tailpiece to "the Ancient Mariner", which is by Garrick Palmer
  • 259 Work without hope
  • 260 Frost at midnight
  • 261 Kubla Khan
  • 262 Time, real and imaginery
  • 263 Dejection, an Ode
  • 264 The Time of the ancient mariner
  • ROBERT SOUTHEY (1774-1843)
  • Portrait by John Farley
  • 265 The Soldier's Wife
  • CHARLES LAMB (1775-1834)
  • 266 The old familiar faces
  • WALTER SAVAGE LANDOR (1775-1864)
  • 267 Ireland never was contented
  • 268 Twenty years hence my eye may grow
  • 269 La Promessa Sposa
  • 270 Kirce
  • 271 Dying speech of an old philosopher
  • THOMAS CAMPBELL (1777-1844)
  • Engraving by Gwen Raverat
  • 272 Hohenlinden
  • 273 How delicious is the winning
  • 274 The more we live, more brief appear
  • THOMAS MOORE (1779-1852)
  • Engravings by Gwen Raverat
  • 275 Echo
  • 276 Oft in the stilly night
  • JAMES HENRY LEIGH HUNT (1784-1859)
  • Engraving by John Lawrence
  • 277 Rondeau
  • THOMAS LOVE PEACOCK (1785-1866)
  • Engraving by Gwen Raverate
  • 278 The war songs of Dinas Vawr
  • 279 Love and age
  • 280 I dug, beneath the cypress shade
  • GEORGE GORDEON, LORD BYRON (1788-1824)
  • Engravings by Peter Forster
  • 281 So we'll go no more a-roving
  • 282 When we two parted
  • 283 To Thomas Moore
  • 284 Remember thee, remember thee
  • 285 Oh snatched away in beauty's bloom
  • 286 She walks in beauty, like the night
  • 287 The destruction of Sennacherib
  • 288 The Isles of Greece, the Isles of Greece
  • 289 Stanzas for music
  • 290 On this day I complete by thirty sixth year
  • CHARLES WOLFE (1791-1823)
  • Engraving by Richard Shirley Smith
  • 291 The burial of Sir John Moore after Corunna
  • PERCY BYSSHE SHELLEY (1792-1822)
  • Engravings by Richard Shirley Smith
  • 292 To the night
  • 293 A widow bird sat mourning for her love
  • 294 One word is too often profaned
  • 295 The waning moon
  • 296 Music, when soft voices dies
  • 297 When the lamp is shattered
  • 298 To a skylark
  • 299 Ozymandias
  • 300 Ode to the west wind
  • 301 To jane with a guitar
  • 302 Stanzas written in dejection near Naples
  • JOHN CLARE (1793-1864)
  • Engravings by Ian Stephens
  • 303 Black grows the sudden sky, betokening rain
  • 304 I am! yet what I am who care, or knows?
  • 305 The fear of flowers

Similar Stock